Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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$12USD or more
Compact Disc (CD) + Digital Album
An instrumental album of exotic mandolin and saxophone compositions by John Kruth.
Your tone sounds like flesh and blood. You didn’t choose the mandolin. It chose you, to play its eternal melodies through. – Ornette Coleman, (June 2009)
Great mandolin playing mate! – Robert Plant
The Pete Townshend of the mandolin. – Luka Bloom
Burnin’! – John Scofield (May 2004)
John Kruth makes great albums – Adrian Belew
The best damn mandolin player around today! – Yank Rachell
A one-man hootenanny trail blazing new genres. Kruth shows us just how hard a mandolin can rock. A fascinating argument for the mandolin as a prime tool of rock and roll.
– The Milwaukee Journal
Kruth picks mandolin as well as anybody on the planet. He’s also an engaging front-man playing everything from folked-up funk to blitzkrieg bluegrass.
– The Isthmus (Madison, WI)
Includes unlimited streaming of The Cherry Electric
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
...more
Martin Stillion's 5 Star Review on Amazon sums this album up pretty well...
What a fun CD! Originally released in 1995 on San Francisco's Weasel Disc, this hard-to-find little gem has been reissued by Milwaukee's Internal Combustion label, and is well worth tracking down. Known mostly as a quirky folk/rock singer/songwriter (he's recorded for independent folk labels Flying Fish and Gadfly), John Kruth is also a journalist, author, and music historian whose oeuvre includes Bright Moments, a biography of idiosyncratic jazz saxophonist Rahsaan Roland Kirk. On this, his first all-instrumental disc, Kruth serves up a tasty gumbo of folk, experimental jazz, hip-hop, and world beat with a healthy dose of lunacy, prominently featuring his cherry red 1957 Fender Mandocaster (tuned to ADF#A, if you're keeping score). The fact that the disc is dedicated to both avant-garde jazz trumpeter Don Cherry and the Carnatic mandolin maestro U Srinivas should give you some idea of what you're in for. "Karmachanic," the leadoff number, follows a fairly conventional AABB 16-bar folk structure, but a number of layered electric and acoustic mandolin parts elevate it above the ordinary. "Wabash Cannibal" takes the train-tune idiom for a wild ride, with defiantly out-of-tune Mandocaster licks and some great sax from Jason Todd-whose playing, in fact, is featured just as prominently as Kruth's on most of the tracks. There's a wicked turntable scratch groove on "Bertha Cool," and the weirdest Rolling Stones cover of the millennium has to be Kruth's free-jazz take on "Lady Jane," which he subtitles the "Brian Jones ghost dance mix" in honor of Jagger & Co.'s late guitarist. "Midnight Hora," once again, is conventionally structured, but uniquely voiced: you won't hear tablas and tin whistle backing up an electric mandolin every day. There's more than a bit of New Orleans on "Parisha," while "Crazy Maker" is sort of a Wes-Montgomery-meets-John-Zorn-in-the-Twilight- Zone thing: Kruth plays an insistent Mandocaster theme in double stops using an alternate tuning based on major sevenths and tritones (either that or he multitracked it), while Todd and the rhythm section riff like a wrecking crew. As if that weren't enough, "Weeping Statues" and "Mary Mandolin" are both haunting waltzes that lend a bittersweet touch to the proceedings. Kruth has said this may be his best CD, and who am I to disagree?
"Love that electric cherry!" said Human-female on July 14, 2000
John Kruth is magic. It's hard to describe the type of music he plays on this CD. It's folksy-pop with splashes of ethnic color and alternative flair with a hint of jazzy rock. Beatnik comes to mind also... Sound confusing? It isn't. The melodies move like a warm breeze as in Kruth's homage to Brian Jones in 'Lady Jane'. The breeze changes to dust devil in 'Karmachanic' (brilliant), and in 'Wabash Cannibal' (the wordplay in the title, mirrors the mandolin-play in the song). It's impossible to keep your body still while listening, the rhythm literally hugs you in each song. The multitalented Kruth plays mandolin (wonderfully),harmonica, flute and several other instruments. I highly recommend this CD to anyone who appreciates beautiful, playful music.
"A rockin good time"sez A Customer on December 7, 2000
The Cherry Electric consistantly rates on my all time good time album list. It is wondrfully innovative, genre bending music -- incorporating classic and acid jazz, eastern/indian sounds, african ala King Sunny Ade, rock and roll and folk. This mess is all packaged together in a way that is immediately understandable and makes you want to tap your feet or run around your house a few times. you can't go wrong to buy this album.
credits
released October 10, 1995
1. Karmachanic
2. Wabash Cannibal
3. Bertha Cool
4. Hole In the Head
5. King Hand-Me-Down
6. Teen Empress
7. Hell Camino
8. Lady Jane (Brian Jones Ghost Dance Mix)
9. Midnight Hora
10. Weeping Statues
11. Parisha
12. Crazy Maker
13. Mary Mandolin
With 12 solo albums to date, multi-instrumentalist, John Kruth plays mandolin, banjo, guitar and sitar as well as flute
and harmonica. The former leader of the NYC "other-world" music ensemble TriBeCaStan, Kruth has played with Ornette Coleman, Allen Ginsberg, Sam Shepherd, John Prine, Rick Danko and Violent Femmes, and worked with producers Joel Dorn and Hal Willner....more
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